shatteredsquare
Power User
Physics changes.
Then page 7 is where FAS makes an FRFR driver become a hot texas lizard alnico! We need to get to page 7
Physics changes.
Then page 7 is where FAS makes an FRFR driver become a hot texas lizard alnico! We need to get to page 7
I'll take a crack at responding...Isn't listening to an FRFR in a room IS Far Field listening....? Not sure why the FRFR has to sound like a mic'd cab instead of the cab itself... Is it because the IR capture technique has to involve a mic? Thats why I and several others ask if the Mic filter contribution can not be analyzed and isolated in one technique or another to emulate the speaker behavior without the Mic.
I think these are valid questions and not ones that have been answered.
Seems to be a simple question, right? Even if you used 100 mics placed at different spots on the speaker, around the cabinet and around the room, the sound eventually has to be recorded. Once recorded it is entirely dependent upon the system it's played through. There are variables and nuances that simply cannot be translated through a recording. If the power amp is different than the guitar amp, the sound is going to be different. If the speakers used differ in any way from the original, the sound is going to be altered.What if i want the listeners at hone or over a PA hear what i hear from an amp, as if my amp is in thir room?
Is that the one impossible thing other than landing on mars you figure?
I've said something very similar in every "amp in the room" discussion I've ever participated in.I would venture to say that 99% of the tones we chase are recorded tones that don't in any way sound the same as being in the same room as the amp.
LOL Now your talking!!!Need ear modelling
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I totally prefer the sound of a guitar cab.
Why did you buy a modeler and FR monitor?
Huh? This either makes little sense or I don't understand what you're trying to say.The solution then is probably not IR technology but modeling technology. In other words, take the amp block signal and send to a model of the mechanical behavior of a specific cabinet+its acoustic properties and speaker eq curve and your suppose to have it on your FRFR.
What if i want the listeners at hone or over a PA hear what i hear from an amp, as if my amp is in thir room?
It appears you're asking for two different things. One is a monitor that emulates different cab speakers so the AITR tone is translated to the listener. This would only work if they are listening to guitar only. I would doubt any other instrument would sound the way it should in this scenario.The solution then is probably not IR technology but modeling technology. In other words, take the amp block signal and send to a model of the mechanical behavior of a specific cabinet+its acoustic properties and speaker eq curve and your suppose to have it on your FRFR. If you crave or need a mic sound to go with it, go ahead and add one in a mic block or whatever...
Huh? This either makes little sense or I don't understand what you're trying to say.
It appears you're asking for two different things. One is a monitor that emulates different cab speakers so the AITR tone is translated to the listener. This would only work if they are listening to guitar only. I would doubt any other instrument would sound the way it should in this scenario.
The second seems to be a modeling cab that is paired with an amp modeler so a person could experience a variety of cab tones with the AITR feel. This seems more feasible and it appears that Line 6 has ventured into this arena with their Powercab.
It’s so simple :OWhat i say is employ the same modeling technology for the Cab recreation.