Fractal Audio DRIVE models: Rat Dist and Fat Rat (based on Pro Co Rat)

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RAT.png


Rat Dist and Fat Rat: based on Pro Co Rat

The “RAT” is a famous distortion pedal by Pro Co. The black box is easily recognizable. Famous users include David Gilmour and Jeff Beck. It’s believed to be responsible for the distorted chords which kick in so hard in Radiohead’s Creep.

Pro Co made many, many versions of the Rat, including the "RAT 2", "Turbo RAT", "Fat Rat", "You Dirty Rat", "Deucetone" etc.

Wikipedia:
“The Pro Co "The RAT" is a guitar effects pedal produced by Pro Co Sound. The original RAT was developed in the basement of Pro Co's Kalamazoo, Michigan facility in 1978. Numerous variations of the original RAT pedal are still being produced today. The basic RAT has changed in appearance over the years, but its tone has remained largely the same. Pro Co has also introduced tonal variations of the RAT, including the Turbo RAT, and You Dirty RAT, among others. The Pro Co RAT became very popular in the early 1980s, thanks in part to fame gained by its use by several artists.

The Pro Co "The RAT" is a distortion pedal with a quite simple circuit, which can be broken down into four simpler blocks: distortion stage, tone control, output stage and power supply. The design is based around a single opamp, originally the Motorola LM308 (switched to Texas Instruments OP07DP around 2002-2003). The distortion is produced using a variable gain circuit with diodes shorting the output to ground to produce hard clipping of the input waveform. (…) This construction method is similar to the Boss DS-1 distortion pedal, although there are major differences between the two circuits. A major difference is the opamp used (the LM308), known for its poor slew rate; it largely accounts for the sonic difference between the two pedals.”

There’s a dedicated site for the RAT products, including sound samples and history.
More background, courtesy of Tone Report. And a Guitar Interactive article.

The pedal has three knobs:
  • Distortion: controls the amount of distortion (model: Drive).
  • Filter: operates as treble cut (model: Tone).
  • Volume: controls the output level (model: Level).
The sound of a RAT can be quite harsh and hard. There’s definitely some fuzz heritage here.

The passive Filter knob is crucial to its tone. In the very first versions it was a conventional tone control, which was then changed to a treble cutting filter. Make sure to experiment with it in the model, but be aware: it works the opposite way of the real pedal.

Fractal Audio:
"The filter knob has been modeled but it works backwards.”

The FAT RAT model is a modified version of the RAT, according to the Axe-Fx II’s Owners’s Manual. Which modified version that is has not been disclosed. Quite possible it’s Pro Co’s own FAT RAT, with its germanium diode, because the model's Clip Type is "germanium", as opposed to the “Rat Dist” model's "silicon" Clip Type. The Fat Rat model provides loads more gain than the Rat Dist model.

According to the firmware release notes, Fractal's Audio Rat Dist model was last updated in Quantum 5.x. The Fat Rat isn’t mentioned.

Of course the Drive block allows us to adjust far more things than the modeled pedal: Bias, Slew, Mix, Low Cut, High Cut and other parameters are available to us. But that's beyond the scope of this thread. Those parameters are discussed in the manual and wiki.

Personal note:
I owned an 80’s Rat (the "v2", not the current RAT 2), with the Pro Co logo on top. I had it modded by Robert Keeley, adding a 3-way switch among others. It was part of the pile of gear I sold when migrating to the Axe-Fx Ultra. I primarily use the model in combination with Vox-type amps because they just match very well IMHO. I pretty much set the controls the same way as on the real pedal: low Drive, high Level, and bit of treble cut. Too much gain and it becomes fuzzy.
I don’t care much for the Fat Rat model.

For some reason, the Rat Dist model is often seen in conjunction with the SYNTH block.
Placed before SYNTH it will warm up and smoothen the sound.

About CPU usage:
  • Fractal Audio's Drive models take up varying amounts of CPU. The Rat Dist and Fat Rat models require a moderate amount.
  • When a Drive block is engaged, CPU percentage will rise during playing, because CPU usage is "amplitude dependent".












Link to the list of published threads
 
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These things works surprisingly good as bass distortion as well. Run another (clean) bass amp under it and balance the two out.
 
RATs are fun pedals. Easy to modify. And you can do the same sorts of mods that super-RATs like the Beavis Audio FKR (my favorite RAT clone) had available to them in side the magic black box.

Try different clipping options for example. Or try the variable clip and set it to be asymmetrical!

The RAT topology really responds well to clipping changes like this.

beavisaudio_fkr_001.jpg
 
These things works surprisingly good as bass distortion as well. Run another (clean) bass amp under it and balance the two out.
There's a mix knob on the drive block you can use to blend in some clean as well!
 
The RAT is probably the best pedal ever for experimenting with clipping diode types. Since the clipping stage stands alone, and shorts to ground, there's nothing else that impacts the clipping. This is unlike in a Tube Screamer type of circuit where the clipping diodes are in the feedback loop and are used to modify the behaviour of the op amp.

So when you change the clipping diodes in the RAT, you can really hear the difference that they make to the sound. LED's are cool because they have a really high forward bias value - so you get more clean headroom out of the gain stage - and they add a kind of jangley sound to the distortion.
 
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